Wednesday, 11 March 2026

15 years later...

 15 years ago today, I was in my studio in Ichikai, the neighbouring town to Mashiko, finishing some work for my next exhibition. I had only fired my kiln once that year, full of a special commission of Yunomi Chawan for an architecture company in Mito. I had not been able to make a new stamp for 2011, the year of the rabbit, in time for that firing, so the Yunomi had "11" pressed beside my stamp with a wedge shaped stylus, in homage to ancient cuneiform.


I had just finished turning and chattering the new work, and was pulling handles when the earthquake hit...


...so much has happened since then.


Today I will be in my studio in Minakami, over the mountains and far, far away from Mashiko, finishing some work for my next exhibition.




Tuesday, 3 March 2026

Doll Festival

Hina Masturi, the doll Festival





When our daughter was born, Mika's parents gave us a set of dolls for her. Not the sort she would pretend to have morning tea with, but a set of "Hina Ningyou" (雛人形) to pray for her health and happiness throughout life.

At the end of every february we set up the dolls, with a small tray of sweets as an offering. Today, March 3rd is the actual celebration, and it is traditional to have "Chirashi Zushi" for our meal this evening, but this year we will be having Seki-han (赤飯 red rice) which our daughter grew herself last year!

Originally, this celebration coincided with the peach blossom season, which in the old Japanese calendar was the 3rd day of the 3rd month (弥生 yayoi) but is actually the 3rd of April in the modern calendar. However, when the Gregorian calendar was introduced on January 1st, 1871 (Meiji 6), Hina Matsuri (the doll festival) was observed on the same numerical date, but actually a month earlier. It is therefore considered bad luck for the dolls to remain on display after April 4th. Many families in this area put the dolls away tonight, but it is Mika's family tradition for them to be on display till March 8th, though the reason is a mystery!

Tuesday, 20 January 2026

A Tokuri for Tanuki

There is a legend about a Tanuki, a shape-shifting Racoon-dog, who travelled around Japan with a blackboard and a sake bottle, visiting hostelries that provided food and sake. The sake bottle, called a Tokuri, was made from a large gourd, and hung from his shoulder by a cord tied around the narrow waist of the gourd. At each establishment, he would have them fill his Tokuri with fresh sake decanted from their barrel, and he would eat and drink his fill, writing down the tab on his blackboard. He would then move on to the next establishment, where he would wipe the slate clean, and start afresh...

Legend has it that those who welcomed him graciously would be blessed with prosperity, and those who declined would meet misfortune. 

...sounds rather like a protection racket. 

You will often see pottery statues of Tanuki, tokuri and slate in hand, in dining and drinking venues throughout Japan, a talisman of good fortune. 

My attention, however, fell upon the simple practicality of the natural gourd shape as a tokuri. The waist serves not only as a convenient place for a Tanuki to tie a cord, or a potter to bind tatami for rush flashing in the wood kiln, but is the perfect place for finger and thumb to firmly embrace the bottle without slipping! A design feature which becomes increasingly important and the night progresses! 

Add to that a subtly textured surface, in this case a rope marked Jomon pattern, a durable Celadon glaze on the inside for ease of cleaning, and a softly curved lip for pouring, and you have a Tokuri fit for a Tanuki!