Wednesday, 26 November 2025

Breaking fast


The world turns gradually towards Winter. I open the shutters in the crisp air and pale light of predawn. Maggie, our girl cat, watches me through the lounge room window with idle curiosity as I carry an armful of wood across the cobblestones to light the stove and cook breakfast. 


From the kitchen shelf I take down the little note book which is full of all my personal recipes and open it to first entry. I separate a couple of eggs, add some sugar to each bowl, then whip the whites with a good old fashioned egg beater till they're fluffy. Adding olive oil to the yokes, I whisk them till they emulsify, whisk in some soy milk, then mix in flour with a touch of baking powder until the batter is smooth. I gently fold in the meringue, and spoon the batter into a hot, oiled frying pan on the wood stove. And while they cook, I make the coffee...


The radio is telling us the news and weather, then reporting about the glass ceiling and gender pay gap, and how hard it is for women to find meaningful and secure employment in regional areas. Mika knows first hand. We discuss it over Drop Scones with Greek Yoghurt and Yuzu Marmalade and a nice hot Cappuccino, before I see her off to work. 


I wash the dishes, put the plates in the cupboard and hang the mugs up above the kitchen window, and my making cycle is complete. You see, from the moment I start wedging the clay, I'm not just making pots...I'm making breakfast...


...lunch...


...dinner...















 

Sunday, 9 November 2025

The Journey Thus Far

 Welcome to my annual exhibition at Ebiya Bijutsuten in Nihonbashi, Tokyo!

It has been my great pleasure and honour to exhibit here almost every year since 1993, save a few interruptions with natural disasters and stuff. It is very much like coming home.


Ebiya is a dealer in antiquities, and Miyake san, the 9th generation proprietor, is the loveliest person you could ever wish to meet. They've been in business since 1673, originally in Kyoto, but they came to Tokyo with the Meiji Emperor in the 1800s as Purveyors to the Imperial Household. 


During my exhibition they put most of the antiques into storage, leaving mainly the furniture, and that is where my pots are displayed. 


I have always been conscious of the longevity of my craft. The pots I make are part of a ceramic discourse which has been going on for at least ten-thousand years, and my own works will last long beyond my own life for generations to come. As such, they need to be informed by and aware of that conversation, and add to it a perspective which is unique to my lived experience and relevant to contemporary society, but also translate across time and different cultures. 


My pots tell their own story, and their presence is just as calm and self assured in the historical context of Ebiya as it is on the kitchen counter, a restaurant table, or a plinth in a modern gallery. I hope that means that they speak to our shared human experience, our common understanding of ourselves in the natural world, no matter who we are.


I invite you to come and share this moment and the pots which are a testament to my journey thus far.

https://e-ebiya.com/